The Role of Side Characters: How to Make Them Shine Without Stealing the Show

Imagine your favorite novel without its supporting cast. What would Harry Potter be without Hermione and Ron? Or The Lord of the Rings without Samwise Gamgee? Side characters may not be in the spotlight, but they are the glue that holds a great story together. They add richness to the world, challenge the protagonist, and sometimes even steal the best lines.

Well-crafted side characters breathe life into a narrative, making it feel more authentic and immersive. They provide emotional depth, comic relief, and fresh perspectives—often acting as mirrors, foils, or catalysts for the main character’s growth. But there’s a fine line between a side character who enhances the story and one who overshadows the protagonist. When a side character becomes too dynamic, too intriguing, or too active in the plot, they risk pulling focus away from the main storyline, leaving readers more invested in them than the actual hero.

So, how do you strike the perfect balance? How can you make side characters engaging and memorable without letting them take over? In this post, we’ll explore the art of crafting side characters who shine in their own right—without stealing the show.

  1. Understanding the Purpose of Side Characters
    1. Key Roles of Side Characters in Storytelling
      1. Supporting the Protagonist’s Journey
      2. Providing Conflict or Contrast
      3. Enriching Worldbuilding with Different Perspectives
  2. Giving Side Characters Depth Without Overcomplicating
    1. Crafting Distinct Personalities, Motivations, and Backstories
    2. Balancing Depth and Simplicity
    3. The “Three-Trait Rule” for Memorable Side Characters
    4. Examples of Well-Done Side Characters in Popular Fiction
  3. Making Side Characters Feel Necessary
    1. Avoiding Characters Who Exist Just for Filler or Convenience
    2. Tying Side Characters to the Plot or Protagonist’s Arc
    3. Giving Side Characters Personal Stakes Related to the Story’s Themes
    4. Keeping Side Characters Active Without Shifting Focus
  4. Keeping Side Characters from Stealing the Spotlight
    1. Recognizing When a Side Character Is Overshadowing the Protagonist
    2. Adjusting Screen Time and Narrative Weight to Maintain Balance
    3. Using Dialogue, Description, and POV Choices to Keep the Focus on the Protagonist
    4. Using Humor, Charisma, or Tragedy Effectively—Without Letting Them Dominate
  5. The Art of Side Character Arcs
    1. The Difference Between a Subplot and a Side Character’s Arc
    2. When to Give a Side Character a Full Arc vs. Leaving Their Development Implied
    3. Resolving Side Character Arcs in a Way That Serves the Protagonist’s Journey
    4. Subtle but Satisfying Ways to Wrap Up Side Characters’ Storylines
  6. Common Pitfalls to Avoid
    1. The “Too Interesting Side Character” Problem
    2. Overloading the Story with Too Many Side Characters
    3. Unintentional Character Inconsistencies
    4. Side Characters Who Serve Only as Plot Devices
    5. Closing Thoughts
    6. What To Read Next

Understanding the Purpose of Side Characters

A novel without side characters is like a stage play with only one actor—flat, lifeless, and lacking the depth that makes a story feel real. Side characters are the supporting cast that fills out your fictional world, adding complexity, tension, and emotional resonance. But not all side characters serve the same purpose. Some are deeply involved in the protagonist’s journey, while others exist to provide texture to the setting.

At their core, side characters can be divided into two broad categories:

  • Supporting Characters: These are the named, developed figures who have a meaningful impact on the story. They include the best friend, the mentor, the loyal companion, the love interest, and even the antagonist’s right-hand man. Their interactions with the protagonist help drive the plot and shape the main character’s development.
  • Background Characters: These are the minor figures who exist to make the world feel lived-in. The bartender who gives the protagonist a piece of advice, the nosy neighbor who always watches from their porch, or the street vendor shouting about fresh apples—these characters add realism without demanding too much attention.

Key Roles of Side Characters in Storytelling

Side characters are more than just extra names on the page. They serve essential functions that can make or break a story. Here are three of their most important roles:

Supporting the Protagonist’s Journey

A well-crafted side character acts as a pillar for the protagonist, helping (or sometimes hindering) their growth. Some common archetypes include:

  • The Mentor: A wise figure who offers guidance, like Gandalf in The Lord of the Rings or Yoda in Star Wars.
  • The Best Friend: The loyal companion who provides emotional support, like Samwise Gamgee or Ron and Hermione.
  • The Comic Relief: A character who lightens the mood and breaks tension, such as Timon and Pumbaa in The Lion King.

These characters enrich the protagonist’s journey by providing different perspectives, advice, and—sometimes—hard truths they need to hear.

Providing Conflict or Contrast

Not all side characters exist to help the protagonist. Some serve as obstacles, skeptics, or foils, making the protagonist’s journey more compelling.

  • The Rival: A competitive figure who pushes the protagonist to be better, such as Draco Malfoy in Harry Potter or Kaz Brekker and Jesper Fahey in Six of Crows.
  • The Skeptic: Someone who doubts the protagonist’s goals or abilities, forcing them to prove themselves. Think of Han Solo in A New Hope before he fully commits to the Rebellion.
  • The Antagonist’s Ally: A side character who aids the villain, adding extra layers of conflict. For example, Wormtongue in The Lord of the Rings or Iago in Othello.

By introducing these conflicting forces, side characters create tension that keeps the reader invested.

Enriching Worldbuilding with Different Perspectives

A protagonist’s perspective is limited—after all, they can’t be everywhere at once. Side characters offer a broader view of the world, revealing its history, cultures, and social structures in a natural way.

  • A grizzled war veteran can hint at the scars of past battles.
  • A street urchin can expose the harsh reality of life in the lower classes.
  • A merchant from a distant land can introduce readers to a different culture or belief system.

Side characters allow the reader to see the world through multiple lenses, making it feel vast and complex rather than centered solely around the protagonist.

Side characters are the heartbeat of a great story. Whether they are steadfast allies, rivals, or background figures adding realism, they exist to enhance the protagonist’s journey—not overshadow it. By understanding their purpose and carefully crafting their roles, you can create a cast of characters that feel dynamic, meaningful, and essential to your story’s success.

Giving Side Characters Depth Without Overcomplicating

Side characters may not be the stars of your story, but that doesn’t mean they should be flat or forgettable. A well-crafted side character can feel just as real as the protagonist—even if they only appear in a handful of scenes. The key is giving them enough depth to make them believable and compelling without overwhelming your readers with unnecessary complexity.

So, how do you strike the right balance? How can you make a side character memorable without turning them into a distraction?

Crafting Distinct Personalities, Motivations, and Backstories

Every side character should feel like they have a life beyond the protagonist’s journey. They aren’t just props or plot devices—they have their own goals, fears, and personalities. When developing a side character, consider these three core elements:

  • Personality: Are they sarcastic and quick-witted? Thoughtful and reserved? Hot-tempered and reckless? Defining a clear personality helps them stand out from other characters.
  • Motivation: What drives them? Even if they’re not the main character, they should have a reason for their actions, whether it’s loyalty, ambition, revenge, or love.
  • Backstory: You don’t need to reveal their entire history, but a hint of their past can make them feel real. Did they grow up in a harsh environment? Did they lose someone important? Even a single detail can add depth.

Example: Think of Finnick Odair from The Hunger Games. When he’s first introduced, he seems like nothing more than a flirtatious, arrogant heartthrob. But as the story progresses, we learn about his traumatic past, his deep love for Annie, and his resentment toward the Capitol. These layers make him feel real and emotionally compelling.

Balancing Depth and Simplicity

While it’s important to give side characters depth, it’s equally crucial to avoid overcomplicating them. Not every side character needs a full character arc or pages of backstory. Instead, aim for clarity and efficiency:

  • Know their role: If they’re there to provide comic relief, they don’t need a tragic backstory. If they’re a mentor figure, they don’t need an elaborate subplot.
  • Limit their growth: Unlike the protagonist, side characters don’t always need a transformative arc. Sometimes, their role is to help the protagonist grow rather than change themselves.
  • Use details wisely: A single well-placed detail (a nervous tic, a signature phrase, a meaningful object they carry) can be more powerful than an info-dump of backstory.

Example: In Sherlock Holmes, Dr. John Watson is a well-developed character, but his depth is handled with simplicity. He has a military background, a pragmatic personality, and a strong sense of loyalty—all of which are revealed naturally through the story rather than in lengthy exposition.

The “Three-Trait Rule” for Memorable Side Characters

One of the easiest ways to create a memorable side character without making them too complex is the Three-Trait Rule:

  1. A Core Personality Trait – The first thing readers notice about them. (E.g., “grumpy,” “charming,” “eccentric.”)
  2. A Contrasting Trait – Something that adds depth or makes them unexpected. (E.g., “grumpy but secretly caring,” “charming but self-destructive.”)
  3. A Quirk or Habit – A unique behavior, speech pattern, or detail that makes them stand out. (E.g., “always adjusting their glasses,” “speaks in riddles,” “has an irrational fear of birds.”)

Example: Consider Luna Lovegood from Harry Potter:

  • Core Trait: Quirky and dreamy.
  • Contrasting Trait: Deeply insightful and emotionally intelligent.
  • Quirk: Believes in odd creatures and conspiracy theories.

This combination makes her feel unique, but not overly complicated.

Great side characters leave an impression without stealing the story. Here are a few that stand out:

  • Samwise Gamgee (The Lord of the Rings) – Loyal, humble, and courageous, Sam supports Frodo without overshadowing him. His depth comes from his unwavering kindness and quiet strength.
  • Magnus Bane (The Mortal Instruments) – A flamboyant warlock with a tragic past, Magnus is humorous and charming, yet deeply layered. His backstory is hinted at rather than fully explored, keeping the focus on the protagonist.
  • Inej Ghafa (Six of Crows) – A quiet but deadly spy with a strong moral compass. Her backstory of being sold into slavery adds depth, but it never overtakes Kaz’s journey as the main focus.

Creating compelling side characters is all about balance. They should feel real and distinct, but not so complex that they pull attention away from the protagonist. By giving them clear motivations, a few well-chosen traits, and just enough backstory to make them believable, you can ensure they enhance your story—without taking it over.

Next time you introduce a side character, ask yourself: What makes them stand out? And how can I make them feel real without making them too complicated?

Making Side Characters Feel Necessary

Not all side characters deserve a place in your story. A well-written supporting character adds richness and depth, but an unnecessary one can drag the narrative down, creating clutter and confusion. Have you ever read a book where a character appears briefly, says or does something irrelevant, and then disappears without consequence? That’s the mark of a filler character—one who exists out of convenience rather than necessity.

The best side characters don’t just exist for decoration. They have a purpose, whether it’s challenging the protagonist, reinforcing the story’s themes, or pushing the plot forward. But how do you ensure your side characters feel meaningful without stealing the spotlight?

Avoiding Characters Who Exist Just for Filler or Convenience

A common mistake writers make is creating side characters who exist solely for a single function—like the nameless bartender who conveniently delivers a piece of exposition, or the wise old mentor who vanishes after one important lesson. These characters feel like plot devices rather than real people, which weakens the impact of their role in the story.

How to avoid this trap:

  • Make them multi-dimensional. Even if their role is small, give them something that makes them feel real—a personal goal, a unique perspective, or a bit of personality beyond their function.
  • Ensure they have agency. If they’re only there to serve the protagonist’s needs, they’ll feel artificial. Let them have their own motivations and opinions.
  • Ask, “Would the story change if I removed them?” If the answer is no, they might not be necessary.

Example: In Harry Potter, Nearly Headless Nick isn’t just a random ghost floating around Hogwarts—he has personal struggles (his failed application to the Headless Hunt), connections to other characters, and even provides valuable plot information when needed.

Tying Side Characters to the Plot or Protagonist’s Arc

Every side character should contribute something meaningful to the story. The best way to do this is by ensuring they connect to either the main plot or the protagonist’s internal journey.

Ways to tie side characters to the story:

  • Reflecting the protagonist’s internal struggles. A side character can embody a path the protagonist might take, whether it’s a warning of what not to become or an inspiration to change.
  • Influencing the protagonist’s decisions. They might challenge, support, or motivate the protagonist in a way that propels the story forward.
  • Creating obstacles or tension. Side characters don’t always have to be allies; sometimes, they make things harder, which can add depth and conflict.

Example: In The Hunger Games, Haymitch isn’t just Katniss’s mentor—he represents what she could become if she lets the system break her. His cynicism and past experiences force Katniss to think about her own choices, making his role deeply tied to her journey.

Giving Side Characters Personal Stakes Related to the Story’s Themes

If a side character only exists to orbit the protagonist, they’ll feel shallow. Instead, they should have their own reasons for being invested in the events of the story.

Ask yourself:

  • Why does this character care about what’s happening?
  • What do they stand to gain or lose?
  • How does their personal struggle reflect the themes of the story?

Example: In Six of Crows, every member of Kaz’s crew has their own motivations—whether it’s Inej seeking freedom, Jesper hiding his gambling addiction, or Nina struggling with her Grisha identity. These personal stakes make them feel like real people rather than just sidekicks.

Keeping Side Characters Active Without Shifting Focus

A strong side character should feel like they have a life outside of the protagonist but never dominate the story. The challenge is keeping them engaged without making them the center of attention.

Techniques to keep them active:

  • Give them small but meaningful subplots. These should support the main story rather than distract from it.
  • Use them to reveal new information. Side characters can provide unique insights or knowledge that move the story forward.
  • Let them have agency, but not at the expense of the protagonist. They should make their own choices, but the protagonist should remain the one driving the main arc.

Example: In The Lord of the Rings, Merry and Pippin have their own adventures and growth, but their arcs never overshadow Frodo’s main journey. Their actions contribute to the overall story rather than pulling focus away from it.

Side characters should never feel like afterthoughts. If they don’t have a reason to exist beyond filling space, they risk weakening your story. But when done right, they add richness, conflict, and emotional weight—helping to elevate your protagonist’s journey rather than distract from it.

Before you finalize your supporting cast, take a step back and ask: Does this character truly serve a purpose? And if so, is it woven seamlessly into the narrative? If the answer is yes, you’ve got a side character worth keeping.

Keeping Side Characters from Stealing the Spotlight

Every writer dreams of creating side characters so compelling that readers adore them. But what happens when they become too compelling—so much so that they overshadow the protagonist? A supporting character with sharp dialogue, a tragic backstory, or a magnetic personality can easily steal the show if not carefully balanced. While having fan-favorite side characters isn’t a bad thing, your protagonist should always remain the heart of the story.

So how do you ensure that your side characters shine without completely outshining your main character?

Recognizing When a Side Character Is Overshadowing the Protagonist

A side character can start stealing the spotlight when:

  • Readers are more invested in their storyline than the protagonist’s.
  • They have more compelling conflicts or emotional moments than the main character.
  • Their personality, humor, or charm makes the protagonist seem dull by comparison.
  • The protagonist starts feeling like a passive observer rather than the driver of the story.

If your readers are asking, Why isn’t this book about the side character instead?, it’s a sign you need to rebalance your narrative.

Example: In Pirates of the Caribbean, Captain Jack Sparrow is so charismatic that he often overshadows Will Turner, who is technically the protagonist. This works for a blockbuster film but can be problematic in a novel where the protagonist needs to stay central.

Adjusting Screen Time and Narrative Weight to Maintain Balance

Just because a side character is interesting doesn’t mean they need excessive page time. If they’re dominating scenes, consider:

  • Limiting their appearances: Keep their moments impactful but brief. A little mystery can make a character more intriguing.
  • Focusing on the protagonist’s reactions: Instead of showing long segments of the side character’s life, use the protagonist’s perspective to filter their influence.
  • Ensuring the protagonist drives the plot: If a side character is solving all the problems, winning all the battles, or making all the important decisions, your protagonist needs more agency.

Example: In The Hunger Games, Finnick Odair is charming, tragic, and beloved, but Suzanne Collins never lets him steal the narrative from Katniss. His story unfolds in the background while the main plot remains focused on her.

Using Dialogue, Description, and POV Choices to Keep the Focus on the Protagonist

Your writing style plays a crucial role in directing attention. Here’s how to keep the protagonist front and center:

  • Dialogue: Side characters shouldn’t have all the witty one-liners or profound statements. Balance their presence by ensuring your protagonist has just as many—if not more—impactful lines.
  • Description: If a side character is getting paragraphs of vivid description while the protagonist is barely described, it can shift reader focus. Keep your protagonist’s presence strong in the narrative.
  • POV Choices: If the story is in first or limited third-person, everything should filter through the protagonist. Even when a side character is doing something important, the scene should focus on the protagonist’s perception of it.

Example: In Sherlock Holmes, Dr. Watson is the narrator. Even though Holmes is the more brilliant and eccentric character, the story remains anchored through Watson’s eyes, keeping him relevant.

Using Humor, Charisma, or Tragedy Effectively—Without Letting Them Dominate

Humorous, tragic, or charismatic side characters can easily become scene-stealers. To prevent this:

  • Spread out humor and charisma: Let the protagonist have their own moments of wit, charm, or cleverness.
  • Don’t let tragedy hijack the story: If a side character’s backstory is more emotionally gripping than the protagonist’s, it might need to be scaled back.
  • Ensure balance in emotional impact: If readers cry harder for a side character’s struggles than for the protagonist’s, consider strengthening your protagonist’s arc.

Example: In The Mortal Instruments, Magnus Bane is an incredibly charismatic and beloved character, but his humor and tragic backstory never overshadow Clary’s personal journey. His moments are carefully placed, keeping the focus on the protagonist.

Side characters should add color, tension, and emotional depth—but they should never outshine the protagonist. By carefully managing their screen time, narrative weight, and impact, you can ensure they enhance the story rather than hijack it.

Ask yourself: Is my protagonist still the driving force of the story? Or has my side character become the main event? If it’s the latter, it may be time for some narrative rebalancing.

The Art of Side Character Arcs

Side characters may not be the main focus of your story, but that doesn’t mean they should remain stagnant. Just like real people, they can grow, change, and make choices that shape the world around them. However, not every side character needs a fully fleshed-out arc—some are best left with subtle development or implied change. So how do you decide when to give a side character an arc, and how do you ensure it enhances the protagonist’s journey rather than distracting from it?

Let’s dive into the art of crafting meaningful, well-balanced side character arcs.

The Difference Between a Subplot and a Side Character’s Arc

It’s easy to confuse a subplot with a side character’s arc, but they serve different functions:

  • A subplot is a secondary storyline that adds depth to the main plot. It might involve side characters, but its purpose is to enrich the world and themes of the story.
  • A side character’s arc is the personal journey of a supporting character, showing how they grow, change, or learn something over the course of the story.

A side character can be part of a subplot, but they don’t necessarily need one of their own. The key is ensuring that their arc doesn’t demand more attention than the protagonist’s.

Example: In Harry Potter, the romantic tension between Ron and Hermione is a subplot. However, Ron’s personal growth—from insecure sidekick to a confident and brave friend—is his side character arc.

When to Give a Side Character a Full Arc vs. Leaving Their Development Implied

Not every side character needs a detailed transformation. Some are best left with hints of growth rather than a fully realized arc.

Give them a full arc if:
✔ They play a major role in the protagonist’s journey.
✔ Their development mirrors or contrasts with the protagonist’s growth.
✔ Their arc helps drive the story forward.

Leave their development implied if:
✔ They serve a smaller role but still need depth.
✔ Their presence is important, but their personal growth isn’t central.
✔ Too much focus on them would distract from the main plot.

Example of a full arc: In The Lord of the Rings, Samwise Gamgee evolves from Frodo’s loyal companion to a hero in his own right, gaining confidence and independence by the end of the journey.

Example of implied development: In The Hunger Games, Effie Trinket starts as a shallow Capitol representative, but by the final book, small actions (not grand gestures) reveal that she has changed—she now cares about the rebellion’s cause and the people she once dismissed.

Resolving Side Character Arcs in a Way That Serves the Protagonist’s Journey

Side character arcs should always tie back to the protagonist’s story in some way. Even if a side character changes, that change should ultimately support, challenge, or reflect the protagonist’s own transformation.

To achieve this balance:

  • Make sure their resolution reinforces the story’s themes. Does their ending contribute to the bigger message of the book?
  • Ensure their final moment connects to the protagonist’s journey. Did they help the protagonist grow? Did their choices impact the main plot?
  • Avoid resolutions that outshine the protagonist’s climax. Their arc should feel complete but not overshadow the main character’s final battle or emotional resolution.

Example: In Six of Crows, Inej Ghafa’s arc is about reclaiming her agency. By the end, her decision to leave the crew and pursue her own justice aligns with Kaz’s emotional journey and the novel’s themes of freedom and healing.

Subtle but Satisfying Ways to Wrap Up Side Characters’ Storylines

Not all side character arcs need grand finales. Some of the most satisfying resolutions happen subtly, in ways that feel organic rather than forced.

Techniques for a satisfying wrap-up:

  • A meaningful final interaction – A simple exchange with the protagonist can hint at how far the character has come.
  • A symbolic action – A side character making a different choice than they would have at the beginning of the story can show growth without exposition.
  • A small but impactful detail – A single line of dialogue or a brief description (e.g., “She no longer flinched at the sound of thunder.”) can reveal change without a big scene.

Example: In Pride and Prejudice, Mr. Darcy’s growth is shown through small, meaningful actions—such as helping Elizabeth’s family behind the scenes—rather than dramatic speeches.

Side characters don’t need to outshine the protagonist, but they also shouldn’t feel static or underdeveloped. When done right, a side character’s arc enhances the main story, adds depth to the world, and leaves readers feeling satisfied—even if that arc is only subtly implied.

Before wrapping up your story, ask yourself: Does this side character’s journey feel complete? And does their resolution contribute to the protagonist’s own growth? If the answer is yes, then you’ve crafted a side character arc that truly matters.

Common Pitfalls to Avoid

Side characters have the power to enrich a story, but if they’re not handled carefully, they can just as easily derail it. Some side characters unintentionally overshadow the protagonist, while others exist purely to move the plot forward without any real personality. Too many can clutter a narrative, and inconsistencies can make them feel artificial.

To make sure your supporting cast enhances your story rather than weakening it, here are some of the most common pitfalls to avoid.

The “Too Interesting Side Character” Problem

It’s great when readers love a side character, but what happens when they love them more than the protagonist? This happens when a side character is:

  • More charismatic, dynamic, or emotionally compelling than the main character.
  • Given more interesting conflicts or higher emotional stakes.
  • The one making all the important choices while the protagonist remains passive.

If your readers are more invested in the side character’s fate than the protagonist’s, your story’s balance might be off.

How to Fix It:
✔ Give the protagonist just as much personality, drive, and emotional depth.
✔ Ensure the protagonist is the main driver of the story’s central conflict.
✔ Consider spinning off the side character into their own story rather than letting them dominate this one.

Example: In The Great Gatsby, Jay Gatsby is an enigmatic and fascinating character, but the story remains firmly anchored through the perspective of Nick Carraway, ensuring Gatsby doesn’t steal the narrative entirely.

Overloading the Story with Too Many Side Characters

While a rich supporting cast can make a world feel alive, too many side characters can overwhelm readers. If your audience struggles to remember who’s who or why a character matters, you might have an overstuffed roster.

Signs you have too many side characters:

  • Readers forget or confuse them.
  • Some characters serve nearly identical roles.
  • Certain side characters don’t contribute to the plot, themes, or protagonist’s journey.

How to Fix It:
✔ Combine similar characters into one stronger, more developed individual.
✔ Remove or minimize side characters who don’t meaningfully impact the protagonist’s arc.
✔ Keep names and descriptions distinct to help readers remember each one.

Example: In A Song of Ice and Fire, George R.R. Martin has an enormous cast, but each character has a distinct personality, motivation, and role. However, in a smaller-scale story, such a vast cast would overwhelm readers.

Unintentional Character Inconsistencies

Side characters should feel just as real and believable as the protagonist. But sometimes, writers accidentally create inconsistencies in their behavior, making them feel less authentic.

Common inconsistencies include:

  • A side character’s personality suddenly changing to fit a plot need.
  • Skills, knowledge, or relationships that seem to appear out of nowhere.
  • A character being present in one scene but oddly absent in another where they should be involved.

How to Fix It:
✔ Keep a character bible or notes to track personalities, abilities, and arcs.
✔ Ensure their decisions make sense based on their established traits.
✔ Ask yourself: Would this character naturally act this way, or am I forcing them to do it for convenience?

Example: In Harry Potter, Hermione Granger is consistently portrayed as intelligent, resourceful, and logical. If she suddenly made a reckless decision without reason, it would feel out of character.

Side Characters Who Serve Only as Plot Devices

A side character should feel like a real person—not just a tool to push the protagonist forward. If they exist only to deliver information, create conflict, or conveniently solve problems without any personality of their own, they risk feeling flat.

Common signs of a plot-device side character:

  • They have no personal motivations beyond helping or hindering the protagonist.
  • They disappear from the story once their job is done.
  • They lack depth, emotions, or agency.

How to Fix It:
✔ Give every major side character their own perspective, even if it’s subtle.
✔ Ensure they have motivations beyond just serving the protagonist.
✔ Even if they don’t have a full arc, make them feel like they exist beyond their function in the story.

Example: In The Lord of the Rings, Boromir could have been just a generic obstacle, but instead, he has his own desires, struggles, and redemption, making him feel like a real, flawed person rather than just a plot device.

Side characters have the potential to enhance a story in incredible ways—but only if they are used wisely. Avoiding these pitfalls ensures that your supporting cast feels authentic, engaging, and well-balanced, rather than overshadowing the protagonist or cluttering the narrative.

Before finalizing your story, ask yourself: Are my side characters serving the story in a meaningful way? Do they feel real and necessary? If the answer is yes, then you’ve successfully created side characters that shine—without stealing the show.

Closing Thoughts

Side characters may not be the stars of the show, but they play a crucial role in bringing a story to life. When crafted with purpose, they enrich the world, support the protagonist’s journey, and add depth without distracting from the main plot. The key is balance—giving them enough personality and development to feel real while ensuring they don’t overshadow the heart of your story.

As you refine your own writing, take a closer look at your supporting cast. Are they necessary? Do they have depth without complexity overload? Do they serve the protagonist’s journey in a meaningful way? By asking these questions, you’ll craft side characters that feel authentic and enhance your storytelling without stealing the spotlight.

Now, I’d love to hear from you! Which of your side characters stands out the most, and why? Drop a comment below and let’s discuss.

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